State laughter : Stalinism, populism, and origins of Soviet culture

Stalin's reign of terror was not all doom and gloom, much of it was (meant to be) funny! Tracing the development of official humour, satire, and comedy, Dobrenko and Jonsson-Skradol do away with the idea that all humour in the USSR was subversive, instead exploring why laughter was a core compo...

Ausführliche Beschreibung

Bibliographische Detailangaben
1. Verfasser: Dobrenko, Evgeny 1962- (VerfasserIn)
Weitere Verfasser: Jonsson-Skradol, Natalia 1971-
Format: E-Book
Sprache:English
Veröffentlicht: Oxford : Oxford University Press USA - OSO, 2022
Schlagworte:Comedy Wit and humor Communism and culture Politics and culture Manners and customs Wit and humor-Social aspects Electronic books
Umfang:1 Online Ressource (435 Seiten)
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520 |a Stalin's reign of terror was not all doom and gloom, much of it was (meant to be) funny! Tracing the development of official humour, satire, and comedy, Dobrenko and Jonsson-Skradol do away with the idea that all humour in the USSR was subversive, instead exploring why laughter was a core component to the survival of the Soviet regime. 
520 |a Cover -- State Laughter: Stalinism, Populism, and Origins of Soviet Culture -- Copyright -- Dedication -- Table of Contents -- List of Illustrations -- Introduction -- 1: The Stalinist World of Laughter: The Fate of the Comic in a Tragic Age -- The Aesthetics of "Radical Populism": Political Dimensions -- "Russian Laughter" and the National Origins of the Stalinist "Popular Spirit" -- After the Carnival: "The Favorite Weapon" -- Victorious Laughter: The Origins of "Positive Satire" -- Harmonizing Laughter: A Dialectics of "Positive Satire" -- 2: A Killer Wit: Laughter in Stalinist Official Discourse -- The Beginning of the Plot -- Funny Activists -- A Funny Hunger Strike -- The Monster of Wit -- The Sense of an Ending -- 3: The Funny War: Laughing at the Front in World War Two -- Vasilii Terkin: The Typical and the Exceptional -- Vasilii Terkin: "Being" and "Just Being" -- Vasilii Terkin: All Is Well That Ends Well -- Erenburg's War, 1941-1945: A Question of Trust -- Erenburg's War, 1941-1945: Knowing What, and How Much -- Erenburg's War, 1941-1945: A Question of Perspective -- Erenburg's War, 1941-1945: Authenticity and (Self-)Parody -- Erenburg's War, 1941-1945: A Numbers Game -- 4: "One Might Think It Is a Ward in a Madhouse": Late Stalinism, the Early Cold War, and Caricature -- An Enemy in Pictures -- On the Typical -- Reflecting the Real Reality -- Hieroglyphics and Their Readers -- Scaling Down and the Logic of Wit -- An Enemy in Words -- Sardonic Realism: The Art of Verbal Caricature -- Adventures of Tropes: Political Trolling of the Pre-Internet Age -- From a "Negative Realism" to the "Realistic Grotesque" -- Modes of "Popular Democracy": Between Resentment and Bravado -- The Art of Double Entendre: Transference as a Satirical Device -- 5: The Gogols and the Shchedrins: Lessons in "Positive Satire" -- The Satire of the Impossible. 
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