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|a Materialities
|b books, readers, and the chanson in sixteenth-century Europe
|c Kate van Orden
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|a Cary
|b Oxford University Press USA - OSO
|c 2015
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|c ©2015
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|a 1 online resource (345 pages)
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|a New Cultural History of Music
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|a Description based on publisher supplied metadata and other sources
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|a Materialities is a cultural history of song on the page. Concentrating on print in the early modern period, it approaches its topic via the French chanson, arguably the most broadly disseminated genre of polyphony in the sixteenth century. Following chansons into libraries, music rooms, and schoolrooms, author Kate van Orden charts the social distribution of songbooks, the gradual moralization of song, and the ways children learned their letters and notes, revising several common assumptions about the value early moderns attributed to printed music, the levels of literacy required to perform polyphony, and the way musicians did or did not "read" their songbooks.
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|a Cover -- Series -- Materialities Books, Readers, and the Chanson in Sixteenth-Century Europe -- Copyright -- Dedication -- Contents -- List of Illustrations -- List of Music Examples -- Acknowledgments -- List of Abbreviations -- PART I A Material History of the Chanson -- Chapter One Introduction: Livres de chansons -- Chapter Two Feuilles volantes, Distribution and Sales -- Chapter Three Early Collectors and Modern Libraries -- PART II Learning to Read -- Chapter Four Literacy and Song -- Chapter Five Latin Primers -- Chapter Six Civilities and Chansons -- Chapter Seven A New Generation of Musical Civilities: The Quatrains de Pibrac -- Postscript: Cultures of Music -- Glossary -- Bibliography -- Index.
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|a Music publishing -- Europe -- History -- 16th century
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|a Songbooks -- Europe -- 16th century -- History and criticism
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|a Songbooks, French
|x History and criticism
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|a Polyphonic chansons
|x History and criticism
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