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|e verfasserin
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|a Robespierre hört Radio und Fetzer flüchtet in den Westen
|b die Funkoper in der SBZ und der DDR
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|a [s.l.]
|b [s.n.]
|c 2018
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|a Text
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|i Enthalten in
|t Rundfunk und Geschichte
|d Frankfurt, M. : Studienkreis, 1995
|g 44(2018), 1/2, Seite 14-26
|w (DE-627)183931599
|w (DE-600)1226894-X
|w (DE-576)04531330X
|x 1434-4408
|7 nnns
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|g volume:44
|g year:2018
|g number:1/2
|g pages:14-26
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|d 44
|j 2018
|e 1/2
|h 14-26
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|b 3968234227
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|a Radio-Oper DDR
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|a Radio-Oper SBZ
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|a Funkoper DDR
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|b The radio opera (Funkoper - in German also known as a Rundfunkoper or Radio-Oper), is the music-theatrical counterpart to the radio drama (Hörspiel): a genre developed specifically for the radio, its specific conditions of production and dissemination. It is a result of discussions and experiments in transposing the stage opera satisfactorily to the medium of radio. This article examines radio opera in the East of Germany after the Second World War: the Soviet Occupation Zone and the GDR. Besides observations on media and art aesthetics, the political implications of these works are at the centre of the essay: a society wrestling with itself in the wake of a devastating confronts the listener in 'The Flood' by Boris Blacher, after a libretto by Heinz von Cramer. "'Tandaradei' (1949) by Hans-Hendrik Wehding represents quality light entertainment in times of new beginning. 'Fetzer's flight' (1959) by composer Kurt Schwaen and librettist Günter Kunert takes up the themes of divided Germany and flight from the GDR. Finally, the state's movement toward dissolution is reflected in 'Danton's Bones' (1988) by Friedrich Schenker and Karl Mickel.
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