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|a Schneider, Christian
|e verfasserin
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|a Radio als Erinnerungsort
|b "Der Ackermann" im Hörfunk
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|a [s.l.]
|b [s.n.]
|c 2016
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|i Enthalten in
|t Rundfunk und Geschichte
|d Frankfurt, M. : Studienkreis, 1995
|g 42(2016), 3/4, Seite 36-47
|w (DE-627)183931599
|w (DE-600)1226894-X
|w (DE-576)04531330X
|x 1434-4408
|7 nnns
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|g volume:42
|g year:2016
|g number:3/4
|g pages:36-47
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|d 42
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|e 3/4
|h 36-47
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|1 01
|x 4758
|b 3968208889
|y n
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|x DE-18-174
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|a Erinnerungskultur Hörfunk
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|x DE-18-174
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|a Hörfunk Wandel 20. Jh.
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|x DE-18-174
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|a Hörfunk "Der Ackermann"
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|b This article examines the adaptation of Johannes von Tepl's late-medieval prose dialogue "Der Ackermann" (ca. 1401) for twentieth-century radio. Since November 1924, at least thirty-one productions of von Tepl's piece have been aired on various German radio stations. Even after the aesthetic debates of the 1920s had moved towards true radiophonic word-art and away from the remediation of literary texts, radio versions of "Der Ackermann" maintained a presence in the programme because of the topic of von Tepl's work. Addressing the very question of the meaning of life and death in the order of creation, the radio adaptations served to root the text in a culture of commemoration that was particularly vital in the 1920s and again in the immediate post-World War II years. In turn, that culture of commemoration contributed to the text's own memorialization as an integral part of the pre-modern German literary canon.
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