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|a Music, liturgy, and confraternity devotions in Paris and Tournai, 1300-1550
|c Sarah Ann Long
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|a Rochester, NY
|b University of Rochester Press
|c 2021
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|a xxiv, 350 Seiten
|b Illustrationen, Notenbeispiele
|c 24 cm
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|a Text
|b txt
|2 rdacontent
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|a ohne Hilfsmittel zu benutzen
|b n
|2 rdamedia
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|a Band
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|a Eastman studies in music
|v v.174
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|a Literaturverzeichnis: Seite 303-330
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|a Introduction -- Confraternities and popular devotions to St. Barbara in Tournai -- Relic translation and healing in liturgies for St. Catherine and St. Nicholas in Paris -- Historical narratives and the importance of place in masses for St. Sebastian -- Compositional practice, networks, and the dissemination of the Mass Ordinary in confraternity sources -- The role of the Parisian book production community in the perpetuation of popular devotions -- Conclusion -- Appendix 1: Sources -- Appendix 2: Inventories of sources from Tournai -- Appendix 3: Scribal hands and gatherings in the Tournai Notary Confraternity manuscripts.
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|a "The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powers."--
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|a Catholic Church
|x Liturgy
|x History and criticism
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|a Catholic Church
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|a Gregorian chants
|z France
|x History and criticism
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|a Confraternities
|z France
|x History
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|a Confraternities
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|a Gregorian chants
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|a Liturgics
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|a Criticism, interpretation, etc
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|a History
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|a France
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|5 (DE-627)
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|a Eastman studies in music
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