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|a Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of contents -- Figures -- Contributors -- Introduction: Toward a New Understanding of Globalism in Postwar Art -- The Postwar: A Short History -- Notes on Multiple Modernisms -- On the Structure of This Book and Its Contribution -- Notes -- Bibliography -- 1 Prologue: Art History's Work-in Pro(re)gress - Reflections on the Multiple Modernities Project -- Mainstream Modernism -- Radical Revisionism -- Modern, Modernism, Modernist -- Minor, Global, Planetary, Situated -- Contemporary Art and Contemporaneity -- Notes -- Bibliography -- Part 1 Crossings and Encounters: Retracing Artists' Itineraries -- 2 Expression for All: Ferlov, Mancoba, Tajiri and the Art of Cobra -- Primitivism -- Minoritarian Cosmopolitanism -- Feminist Humanism -- Resistance to Violence -- Notes -- Bibliography -- 3 Origins and Brinks: Multiple Modernisms in Postwar London -- Decentralization: Elective Affinities and Missed Encounters -- Discrepant Bones: A Case Study -- Notes -- Bibliography -- 4 Multiple Resistances to the Concept of Modernism: The Emergence of Artistic-Poetic Networks between Eastern Europe and Latin -- Multiplying the Modernist Project -- Anti-Aesthetics: Toward the Criticism of Western Modernism -- Self-definition as Arrière-garde Artists -- Multiple Resistances to the Concept of Western Modernism -- Notes -- Bibliography -- 5 Urban Folklore: Marta Minujín's Postwar Assemblage and the Modern City -- Urbanscapes -- Environmental Assemblages -- La Menesunda and the City -- Urban Folklore -- Notes -- Bibliography -- 6 Yayoi Kusama as a Migrant Artist: An Artistic Trajectory as a Model for Understanding Postwar Art -- Boat Trip -- Kusama in Europe -- Polka Dot Love Room -- Migration Aesthetics -- Notes -- Bibliography -- 7 The Overworked Ground: Franz Erhard Walther in New York.
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