Music, sound and space : transformations of public and private experience

Music, Sound and Space is the first collection to integrate research from musicology and sound studies on music and sound as they mediate everyday life. Music and sound exert an inescapable influence on the contemporary world, from the ubiquity of MP3 players to the controversial use of sound as an...

Ausführliche Beschreibung

Bibliographische Detailangaben
Weitere Verfasser: Born, Georgina 1955- (HerausgeberIn)
Format: E-Book
Sprache:English
Veröffentlicht: Cambridge : Cambridge University Press, 2013
Schlagworte:Music Sound Music ; Social aspects Sound ; Social aspects
Umfang:1 online resource (xv, 358 pages)
Inhaltsangabe:
  • Cover; Music, Sound and Space; Title; Copyright; Contents; Figures; Tables; Music examples; Contributors; Acknowledgements; 1 Introduction - music, sound and space: transformations of public and private experience; Topological music, sonic-spatial practices; Space in/and music; Theorising space; For a critical phenomenology of musical/sonic publicness and privacy; Social mediation, multiaccentuality and the ontological politics of space; On musical and sonic publics; Music, sound and the socio-technical mediation of subjectivity; Sound, music and the private and public modalities of power
  • The chaptersPart I: The design of mediated music and sound; Part II: Space, sound and affect in everyday lifeworlds; Part III: Music, identity, alterity and the politics of space; Part IV: Music and sound: torture, healing and love; Part I The design of mediated music and sound; 2 Sound installation art: from spatial poetics to politics, aesthetics to ethics; Music projected into space; Fluxed forms; Sound is sculpture; Sounds placed in space; Listening bodies, social spaces; Critical spatial practices; Conclusion; 3 Music, space and subjectivity; Intro
  • Sound, music and the auditory environmentPerceiving auditory space; Space in recorded music; Virtual space in Pink Floyd's 'Echoes'; Subject-position and 'psychic space'; Space, embodiment and subjectivity: Goldfrapp's 'Deer Stop'; Outro; 4 What the mind's ear doesn't hear; Why listening tests?; How listening tests work; Who listens in the MP3?; Conclusion; 5 Tuning the human race: athletic capitalism and the Nike+ Sport Kit; The Nike+ Sport Kit and the biopolitics of athletic capitalism; The antecedents of the Nike+ Sport Kit; Biofeedback, athletics training and diagnostic listening
  • Mobile headphone-listening and the running boomTune your run; Conclusion: hear how Nike runs; Part II Space, sound and affect in everyday lifeworlds; 6 Music and the construction of space in office-based work settings; Managing the auditory environment; Music, territory and identity; Music as private space within the workplace; Conclusion: reconfiguring the space and place of work; 7 Broadcasting the body: the 'private' made 'public' in hospital soundscapes; Overhearing; Reluctant confidantes; Sounds and disquiet; Conclusion
  • 8 Islam, sound and space: acoustemology and Muslim citizenship on the Kenyan coastMombasa Old Town and its Swahili context; An Islamic soundscape; An Islamic acoustemology; A resonant privacy; A multiaccentuality of space; A sonorous ontological politics; Conclusion: communitarian privacy resounding; Part III Music, identity, alterity and the politics of space; 9 Music inside out: sounding public religion in a post-secular Europe; On tolerance: parable and paradox; Post-Enlightenment reconfigurations of public and private space: the emergence of public religion
  • Fragments and the movement between outside and inside