Intermediality and Storytelling.

Extending narratological analysis to media as varied as graphic novels, photography, television, musicals, computer games and advertising, the essays gathered in this volume address some of the most fundamental questions raised by the medial turn in narratology: how can narrative meaning be created...

Description complète

Détails bibliographiques
Auteur principal: Grishakova, Marina 1961- (Auteur)
Autres auteurs: Ryan, Marie-Laure 1946- (Collaborateur)
Format: Ebook
Langue:English
Publié: Berlin/Boston : De Gruyter, Inc., 2010
Titres liés à la collection:Narratologia Ser. v.24
Sujets:Mass media Narration (Rhetoric) Discourse analysis, Narrative Intermediality Digital media Mass media and the arts Electronic books ; local Digital media ; Influence Electronic books Massenmedien plus... Intermedialität Erzähltheorie Medien Erzählforschung
Description matérielle:1 online resource (353 pages)
Table des matières:
  • Frontmatter; Contents; Editors' preface; Fiction, Cognition, and Non-Verbal Media; Narrativity and Segmentivity, or, Poetry in the Gutter; Vulgar Metaphysicians: William S. Burroughs, Alan Moore, Art Spiegelman, and the Medium of the Book; Previously On: Prime Time Serials and the Mechanics of Memory; The Paranoid Style in Narrative: The Anxiety of Storytelling After 9/11; Inter-Action Movies: Multi-Protagonist Films and Relationism; All Talking! All Singing! All Dancing! Prolegomena: On Film Musicals and Narrative; Photo Narrative, Sequential Photography, Photonovels
  • The Failure of Art: Problems of Verbal and Visual Representation in Let Us Now Praise Famous MenInteractivity and Interaction: Text and Talk in Online Communities; Games of Interpretation and a Graphophiliac God of War; Advertising the Medium: On the Narrative Worlds of a Multimedia Promotional Campaign for a Public Service Television Channel; The Narrative Worlds and Multimodal Figures of House of Leaves: "- find your own words; I have no more"; Intermedial Metarepresentations; Backmatter;