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|a Cover; Title; Copyright; Contents; List of Figures; Preface; Introduction; PART I Popular National Histories in the Late Eighteenth and Early Nineteenth Centuries; 1 Revolutionary Politics and Revolutionary Aesthetics: Opera, Classics, and Popular National History; 2 History as Romance and History as Atonement: Nineteenth-Century Images from Britain and France; 3 'That Which We Learn with the Eye': Popular Histories, Modernity, and Nationalism in Nineteenth-Century London and Paris
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|a 4 Popular Heritage and Commodification Debates in Nineteenth- and Early Twentieth-Century Britain, France, and GermanyPART II Popular National Histories in Multiple Pasts from the Late 18th to the Late 20th Century: Ethnographies, Historiographies, Fiction and Film; 5 Imagining Russia's Pasts: Revolutionary and Tsarist Russia in American, British, and German Cinema, 1927-39; 6 Balkans Baedecker for Übermensch Tourists: Janko Janev's Popular Historiosophy; 7 Exhibiting Scandinavian Culture: The National Museums of Denmark and Sweden; 8 Locating Transylvanians: Real and Fictional Ethnohistories
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|a PART III Popular and Unpopular Pasts: National Histories after 19459 Migrants, Foreigners, Jews, and the Cultural Structure of Prejudice: The Nation as Performative Event in US and German TV Crime Dramas; 10 Filming a Liveable Past: The 1970s-80s in Contemporary Russian Cinema; 11 On Track to the Grand Prix: The National Eurovision Competition as National History; 12 A City and Its Pasts: Popular Histories in Kaliningrad between Regionalization and Nationalization; 13 The Internet and National Histories
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|a ethnographies, historiographies, fiction and film -- pt. 3. Popular and unpopular paste : national histories after 1945
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|a Popularizing National Pasts is the first truly cross-national and comparative study of popular national histories, their representations, the meanings given to them and their uses, which expands outside the confines of Western Europe and the US. It draws a picture of popular histories which is European in the full sense of this term. One of its fortes is the inclusion of Eastern Europe. The cross-national angle of Popularizing National Pasts is apparent in the scope of its comparative project, as well as that of the longue durée it covers. Apart from essays on Britain, France, and Germany, the collection includes studies of popular histories in Scandinavia, Eastern and Southern Europe, notably Romania, Bulgaria, Croatia, Armenia, Russia and the Ukraine, as well as considering the US and Argentina. Cross-national comparison is also a central concern of the thirteen case studies in the volume, which are, each, devoted to comparing between two, or more, national historical cultures. Thus temporality -both continuities and breaks- in popular notions of the past, its interpretations and consumption, is examined in the long continuum. The volume makes available to English readers, probably for the first time, the cutting edge of Eastern European scholarship on popular histories, nationalism and culture.
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|a Cover -- Title -- Copyright -- Contents -- List of Figures -- Preface -- Introduction -- PART I Popular National Histories in the Late Eighteenth and Early Nineteenth Centuries -- 1 Revolutionary Politics and Revolutionary Aesthetics: Opera, Classics, and Popular National History -- 2 History as Romance and History as Atonement: Nineteenth-Century Images from Britain and France -- 3 'That Which We Learn with the Eye': Popular Histories, Modernity, and Nationalism in Nineteenth-Century London and Paris -- 4 Popular Heritage and Commodification Debates in Nineteenth- and Early Twentieth-Century Britain, France, and Germany -- PART II Popular National Histories in Multiple Pasts from the Late 18th to the Late 20th Century: Ethnographies, Historiographies, Fiction and Film -- 5 Imagining Russia's Pasts: Revolutionary and Tsarist Russia in American, British, and German Cinema, 1927-39 -- 6 Balkans Baedecker for Übermensch Tourists: Janko Janev's Popular Historiosophy -- 7 Exhibiting Scandinavian Culture: The National Museums of Denmark and Sweden -- 8 Locating Transylvanians: Real and Fictional Ethnohistories -- PART III Popular and Unpopular Pasts: National Histories after 1945 -- 9 Migrants, Foreigners, Jews, and the Cultural Structure of Prejudice: The Nation as Performative Event in US and German TV Crime Dramas -- 10 Filming a Liveable Past: The 1970s-80s in Contemporary Russian Cinema -- 11 On Track to the Grand Prix: The National Eurovision Competition as National History -- 12 A City and Its Pasts: Popular Histories in Kaliningrad between Regionalization and Nationalization -- 13 The Internet and National Histories -- 14 'Unpopular Past': The Argentine Madres de Plaza de Mayo and Their Rebellion against History -- Notes on Contributors -- Index.
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| 995 |
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|1 01
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