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|a Senses of Embodiment
|b Art, Technics, Media
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|a Bern
|b Peter Lang GmbH, Internationaler Verlag der Wissenschaften
|c 2014
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|a The texts in this trans-disciplinary volume explore embodiment of sense, that is, the opening of meaning in sensible configurations. The authors, among them both scholars and artists, address the «medial» structures - at once aesthetic, bodily and technical - that condition our access to whatever makes sense to us.
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|a Cover -- Table of Contents -- Introduction: In Medias Res -- Mediality of sense -- Technics and the question of presentation -- Bodily capacities -- The sense of aesthetics -- The pathic -- Art and research -- Acknowledgements -- The Touch of Mimesis -- Mimesis, touch, body -- The touch of reality -- The subject of touch -- The loss and return of touch -- The touch of the past -- The touch of critique -- The touch of the body -- From Elephans Photographicus to the Hybronaut: An Artistic Approach to Human Enhancement -- Introduction -- Enhancement of the senses -- Prosthetic abilities and normativity -- The Hybronaut -- Exploring the hybrid environment -- Conclusions -- An Embodied Approach to Collaborative Music Practice -- Physicality of the body -- The Notion of Embodiment in a Group Music Practice -- PESI Extended System_initial version -- Data collection and conditioning in mobile instrument -- Data collection and conditioning in position -- System coordination and adaptation -- Audio synthesis and control -- Music is a part of life -- Sensuous Knowledge: Making Sense Through the Skin -- Reflections on Words and Thoughts in Motion -- The Dancing Body and Creative Expression: Reflections Based on Merleau-Ponty's Phenomenology -- Presented Images: On Photographs and Their Various Bodies -- I. Theoretical notes -- II. Valotuksia / Exposures -- III. Image-Bodies -- Theses, Notes, and Images: On the Photographic Conditions of Embodiment -- Epistemocritical note -- Footnotes -- Retouch -- Being, Vision, Image: On Merleau-Ponty's Eye and Mind -- Body and vision -- Painting and image -- The challenge of painting -- The thing is there -- Contributors -- Bibliography -- Art / Knowledge / Theory.
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