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|a Oriental Interiors
|b Design, Identity, Space
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|a 1st ed.
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|a London
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|c 2015
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|a Machine generated contents note:Introduction: Inside Orientalism: Hybrid Spaces and Modern Interior Design -- John Potvin, Concordia University, Canada -- Section I: Modes of Display and Representation -- Introduction to Section I -- Chapter 1: The Emptiness of Western Aesthetics Versus the Aesthetics of Eastern Intimacy: A Reading of Interior Spaces and (Colonial) Literary Impressionism in E. M. Forster's A Passage to India -- Victor Vargas, Cogswell Polytechnic, USA -- Chapter 2: The Exhibitionary Re-production of 'Islamic' Architecture -- Solmaz Mohammadzadeh Kive, University of Colorado, USA -- Chapter 3: Promoting the Colonial Empire through French Interior Design -- Laura Sextro, University of Dayton, USA -- Chapter 4: Orientalism and David Hockney's Male-positive Imaginative Geographies -- Dennis S. Gouws, Springfield College and the Australian Institute of Male Health and Studies, Australia -- Chapter 5: The Excessive Trompe l'Oeil: The Saturated Interior in Tears of the Black Tiger -- Mark Taylor, University of Newcastle, Australia and Michael J. Ostwald, University of Newcastle, AustraliaSection II: Gendered and Sexual Identities -- Introduction to Section II -- Chapter 6: On Oriental Interiors in Eighteenth-century British Women Writers' Novels -- Marianna D'Ezio, Luspio University for International Studies of Rome, Italy -- Chapter 7: Bachelor Quarters: The Spaces of Japonisme in Nineteenth-century Paris -- Christopher Reed, Pennsylvania State University, USA -- Chapter 8: Coming Out of the China Closet?: Performance, Identity and Sexuality in the House Beautiful -- Anne Anderson, Hon. Research Fellow Exeter University and Associate MIRC, Kingston University, UK -- Chapter 9: Orientalism, Collecting and Shame: Inside Rolf de Maré's Hildesborg Estate -- John Potvin, Concordia University, Canada -- Section III: Spaces and Markets of Consumption -- Introduction to Section III -- Chapter 10: Paradise in the Parlour: Potted Palms in Western Interiors, 1850 -- 1914 -- Penny Sparke, Kingston University, UK -- Chapter 11: Traveling in Time and Space: The Cinematic Landscape of the Empress Theatre -- Camille Bédard, McGill University, Canada -- Chapter 12: Oriental Spaces at Sea: From the Titanic to the Empress of Britain -- Anne Massey, Middlesex University, UK -- Chapter 13: Posturing for Authenticity: Embodying Otherness in Contemporary Interiors of Modern Yoga -- Lauren Bird, Queen's University, CanadaIndex.
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|a Cover page -- Halftitle page -- Title page -- Copyright page -- CONTENTS -- LIST OF ILLUSTRATIONS -- NOTES ON THE CONTRIBUTORS -- NOTE ON THE TEXT -- ACKNOWLEDGMENT -- 1 Inside Orientalism: Hybrid Spaces, Imaginary Landscapes and Modern Interior Design -- Designing Orientalism: Beyond the frame of colonialism? -- Consuming subjects: Artists, designers, writers and therapists -- References -- PART ONE Representations -- Introduction -- Reference -- 2 The Empty Core of Western Aesthetics (Versus the Aesthetics of Eastern Intimacy): A Reading of Interior Spaces and Literary Impressionism in E. M. Forster's A Passage to India -- References -- 3 The Exhibitionary Construction of the "Islamic Interior" -- The concept of "Islamic art" -- Historicizing the gallery interior -- The Islamic gallery -- The immersive atmosphere -- Conclusion -- Notes -- Acknowledgements -- References -- 4 Orientalism and David Hockney's Male-positive Imaginative Geographies -- Second-order knowledge of the Orient in Hockney's early work -- The masculine Mediterranean interior in Hockney's Cavafy Etchings -- Japanese Oriental interiors: Enabling of dignified masculine desire -- Conclusion -- Notes -- References -- 5 The Excessive Trompe l'Oeil: The Saturated Interior in Tears of the Black Tiger -- Background -- The Western interior as "Other" -- The trompe l'oeil -- References -- PART TWO Gender and Sexual Identities -- Introduction -- References -- 6 Oriental Interiors in Eighteenth-century British Women Writers' Novels -- European versions of Oriental interiors: The legacy of Montagu's Turkish Letters -- "Needless to tell you the Beauty and Magnificence of the Place": Aubin's "Oriental" interiors -- Zofloya, or Oriental interiors crossing the boundaries of Europe -- Notes -- References -- 7 Bachelor Quarters: Spaces of Japonisme in Nineteenth-century Paris.
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