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|a Imperial projections
|b screening the German colonies
|c Wolfgang Fuhrmann
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|a New York
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|b Berghahn
|c [2015]
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|c © 2015
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|a x, 309 Seiten
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|a Film Europa
|v Vol. 17
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500 |
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|a Filmographie Seite [276] - 277
|
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|a Literaturverzeichnis Seite [278] - 301
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|a Introduction -- The beginning of colonial film culture in Imperial Germany. From the variety theatre to the German colonial society -- Carl Muller: a colonial film maker -- The DKG's film shows: the colonies in motion -- Addressing the masses. The 'Hottentot election' of 1907 -- The DKG's Kinematographenkampagne -- Rise and fall of the Kinemtographenkampagne -- Ethnographic filmmaking in the colonies -- Karl Weule in German East Africa -- The expedition in context: modern German ethnography -- Filming in the Colonies: Training and Improvisation -- Tourism, Entertainment, and Colonial Ideology. Colonial Films in Public Cinema -- The colonial travelogue -- Colonial films in transition: Robert Schumann's comeback -- Colonial film propaganda during the First World War. Setting up colonial war propaganda -- The Deutsche Kolonial-filmgesellschaft (DEUKO) -- Conclusion.
|
520 |
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|a Introduction -- The beginning of colonial film culture in Imperial Germany. From the variety theatre to the German colonial society -- Carl Muller: a colonial film maker -- The DKG's film shows: the colonies in motion -- Addressing the masses. The 'Hottentot election' of 1907 -- The DKG's Kinematographenkampagne -- Rise and fall of the Kinemtographenkampagne -- Ethnographic filmmaking in the colonies -- Karl Weule in German East Africa -- The expedition in context: modern German ethnography -- Filming in the Colonies: Training and Improvisation -- Tourism, Entertainment, and Colonial Ideology. Colonial Films in Public Cinema -- The colonial travelogue -- Colonial films in transition: Robert Schumann's comeback -- Colonial film propaganda during the First World War. Setting up colonial war propaganda -- The Deutsche Kolonial-filmgesellschaft (DEUKO) -- Conclusion
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