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|a Emma Hamilton and Late Eighteenth-Century European Art
|b Agency, Performance, and Representation
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|a Cover -- Half Title -- Series Information -- Title Page -- Copyright Page -- Dedication -- Table of contents -- Plates -- List of Figures -- Acknowledgements -- Introduction: Emma Hamilton, the Most Extraordinary Compound Ever Beheld -- Object and Subject -- Agency -- Performance -- Note -- References -- 1 La vie de Lady Hamilton est un roman -- "My Virtue Was Vanquished" -- "You Made Me Good" -- "I Am the Happiest Woman in the World" -- "A Legacy to My King and Country" -- Notes -- References -- 2 The Acme of Sir William's Delights -- Naples -- The Collector -- Emma, the Acme of Sir William's Delights -- Notes -- References -- 3 Emma's Attitudes: Movements and Surprising Transformations -- Movement and Stasis -- Plates -- Surprising Transformations -- Performance and Performativity -- Notes -- References -- 4 Emma's Tarantella -- The Painting -- The Tarantella -- Transfers -- Notes -- References -- 5 Model, Muse, and Artist -- Vigée-Le Brun: An Artist at Odds with Her Model -- Romney: The Artist and His Muse, Revisited -- Regendering the Muse -- Notes -- References -- Conclusion -- Notes -- References -- Bibliography -- Index.
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