Monographic Exhibitions and the History of Art.

Cover -- Title -- Copyright -- Contents -- List of illustrations and illustration credits -- Preface -- Introductory: monographic exhibitions and the history of art -- PART I Living artists’ retrospectives -- 1 Nathaniel Hone’s 1775 exhibition: the first single-artist retrospective -- 2 The Dega...

Ausführliche Beschreibung

Bibliographische Detailangaben
1. Verfasser: Gahtan, Maia W. (VerfasserIn)
Weitere Verfasser: Pegazzano, Donatella (MitwirkendeR)
Format: E-Book
Sprache:English
Veröffentlicht: Milton : Routledge, 2018
Ausgabe:1st ed.
Mit dem übergeordneten Werk verknüpfte Titel:Studies in Art Historiography Ser
Schlagworte:Art museums Art Art-History Electronic books Künstler Ausstellung Geschichte 1775-2017
Umfang:1 online resource (369 pages)
Beschreibung
Zusammenfassung:Cover -- Title -- Copyright -- Contents -- List of illustrations and illustration credits -- Preface -- Introductory: monographic exhibitions and the history of art -- PART I Living artists’ retrospectives -- 1 Nathaniel Hone’s 1775 exhibition: the first single-artist retrospective -- 2 The Degas and Cassatt 1915 exhibition in support of women’s suffrage -- 3 Braque, Gris, Léger: Cubism in Switzerland in 1933 -- 4 Bacon at Grand Palais: echoes and influences -- PART II Posthumous retrospectives -- 5 The first posthumous retrospective in France: the Paul Delaroche exhibition, a new perception of the artist’s work -- 6 Max Jordan’s first monographic exhibitions at the Royal National Gallery in Berlin – rewriting the canon of art history and creating the artist as a national role model at the beginning of the German empire -- 7 The Courbet retrospective of 1882. Harbinger of the artist’s first major monography and catalogue raisonné -- 8 The critical reception of Marcello Tommasi’s oeuvre and the Tommasi family’s artistic legacy -- PART III Old Master monographic exhibitions from before World War II -- 9 The Holbein exhibition of 1871 – an iconic turning point for art history -- 10 ‘This is the answer to those who tell us that Reynolds was a snob’: the Grosvenor Gallery exhibition of works by Joshua Reynolds (1883–1884) -- 11 The master and Siena: the 1912 Duccio exhibition -- 12 The twelve days of Bartolomeo della Gatta (Arezzo, 1–12 October 1930). A regional exhibition of an Old Master during Fascism -- 13 Titian’s 1935 exhibition in Venice -- PART IV Old Master monographic exhibitions after World War II -- 14 Poussin in perspective: the Louvre retrospective 1960 above and beyond.
15 Rembrandt and the polemical monographic exhibition: ‘Rembrandt. The Master and His Workshop’ in Berlin, Amsterdam, and London in 1991–92 -- 16 Exploring Michelangelo through exhibitions. Closer to the master, closer to the scholar, closer to the public -- PART V Monographic exhibitions and the twenty-first century -- 17 ‘Canaletti’ and the others. Recent monographic exhibitions of Venetian veduta painters: art history and the market -- 18 El Greco and the dynamics of retrospection in monographic exhibitions for the anniversary of his death in 2014 -- 19 Past institution’s future: monographic exhibitions and Tate Modern’s make-up -- 20 The rise of the monographic exhibition: the political economy of contemporary art -- Afterword: learning from the artist’s monograph: anarchy, quality, and the ultimate noumenon -- Epilogue: some curatorial thoughts on the monographic exhibition -- Archival sources -- Bibliography -- Biographical notes on the contributors -- Index
Beschreibung:1 online resource (369 pages)
ISBN:9781351778206
135177820X
9781138712485
1138712485