The dark mirror : German cinema between Hitler and Hollywood
"Lutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi f...
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| Format: | Ebook |
| Langue: | English |
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Berkeley : University of California Press,
c2002
NetLibrary |
| Titres liés à la collection: | Weimar and now
32 |
| Accès à la collection: | Weimar and now |
| Sujets: | Motion pictures Motion picture producers and directors Germans Cinéma Producteurs et réalisateurs de cinéma Allemands PERFORMING ARTS ; Film & Video ; Reference Music, Dance, Drama & Film Film Biographies plus... |
| Description matérielle: | XII, 322 S. |
Table des matières:
- Introduction: The Dark Mirrorpt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity
- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody
- Epilogue: "Talking about Germany."