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|a 10.5699/slaveasteurorev2.95.2.0293
|2 doi
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|a (DE-627)JST12792678X
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|a (JST)slaveasteurorev2.95.2.0293
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|a DE-627
|b ger
|c DE-627
|e rakwb
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|a en
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|a Nationalism, Imperialism and Cosmopolitanism in Russian Nineteenth-Century Provincial Amateur Music-Making
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|c 2017
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|a Text
|b txt
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|a This article analyses domestic amateur music-making in nineteenth-century Russian provincial towns. By moving away from the artistic centre — geographically, in relation to the repertoire and in terms of musicianship — it shifts attention from intellectual debate about the nature of Russian nineteenth-century music, to the more complex realm of musical practice. Instead of describing a musical culture that revolved around the oppositions of Western versus Russian musical expression, the sounds of the domestic space analysed here show how contemporaries reconciled international dances and operatic arias with Russian, Ukrainian and Gypsy folksong. Their musical practices thus gave rise to a soundscape that was at once international, imperial, national and local, and which focused on sentimentality and domesticity.
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|a Copyright 2017 Julia Mannherz
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|a Arts
|x Performing arts
|x Music
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|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Folkloristics
|x Folk culture
|x Folk music
|x Folksongs
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|a Arts
|x High culture
|x Art music
|x Western art music
|x Instrumental music
|x Chamber music
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|a Arts
|x Performing arts
|x Music
|x Musical performance
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|a Arts
|x Performing arts
|x Music
|x Musical instruments
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4 |
|a Arts
|x High culture
|x Art music
|x Art songs
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|a Behavioral sciences
|x Anthropology
|x Ethnology
|x Ethnography
|x Russian studies
|x Russian culture
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|a Arts
|x Performing arts
|x Music
|x Music theory
|x Music composition
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|a Arts
|x Arts participation
|x Art education
|x Music education
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|a Arts
|x Performing arts
|x Music
|x Musical instruments
|x String instruments
|x Keyboard instruments
|x Pianos
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|
4 |
|a Arts
|x Performing arts
|x Music
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650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Applied anthropology
|x Cultural anthropology
|x Folkloristics
|x Folk culture
|x Folk music
|x Folksongs
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650 |
|
4 |
|a Arts
|x High culture
|x Art music
|x Western art music
|x Instrumental music
|x Chamber music
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650 |
|
4 |
|a Arts
|x Performing arts
|x Music
|x Musical performance
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650 |
|
4 |
|a Arts
|x Performing arts
|x Music
|x Musical instruments
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650 |
|
4 |
|a Arts
|x High culture
|x Art music
|x Art songs
|
650 |
|
4 |
|a Behavioral sciences
|x Anthropology
|x Ethnology
|x Ethnography
|x Russian studies
|x Russian culture
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650 |
|
4 |
|a Arts
|x Performing arts
|x Music
|x Music theory
|x Music composition
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650 |
|
4 |
|a Arts
|x Arts participation
|x Art education
|x Music education
|
650 |
|
4 |
|a Arts
|x Performing arts
|x Music
|x Musical instruments
|x String instruments
|x Keyboard instruments
|x Pianos
|x Articles
|x History and Culture
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|a research-article
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|i Enthalten in
|t The Year's Work in Modern Language Studies
|d Modern Humanities Research Association, 2009
|g 95(2017), 2, Seite 293-319
|w (DE-627)506282589
|w (DE-600)2217475-8
|x 22224297
|7 nnns
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|g volume:95
|g year:2017
|g number:2
|g pages:293-319
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|u https://www.jstor.org/stable/10.5699/slaveasteurorev2.95.2.0293
|3 Volltext
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|d 95
|j 2017
|e 2
|h 293-319
|