(Mis)Understanding Bach: Fiction, Art and Resistance

ABSTRACT. In this work we present an analysis of Bach, by Pedro Eiras, focusing on the reflection it proposes on the effectiveness or ineffectiveness of art as a means of understanding our being in the world. First, we concentrate on issues pertaining to genre, and then we turn our attention to the...

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Bibliographische Detailangaben
Veröffentlicht in:The Year's Work in Modern Language Studies. - Modern Humanities Research Association, 2009. - 33(2017), 2, Seite 185-201
Format: Online-Aufsatz
Veröffentlicht: 2017
Zugriff auf das übergeordnete Werk:The Year's Work in Modern Language Studies
Schlagworte:Arts Philosophy Social sciences
Beschreibung
Zusammenfassung:ABSTRACT. In this work we present an analysis of Bach, by Pedro Eiras, focusing on the reflection it proposes on the effectiveness or ineffectiveness of art as a means of understanding our being in the world. First, we concentrate on issues pertaining to genre, and then we turn our attention to the representation of reading and writing, on music and cinema in Bach. We attempt to interpret the concepts of art, expression and knowledge present in the work, by relating them to ideas that characterize modern and contemporary thought, bearing particularly on political, expressive and epistemological resistance, on music as an archetype for expression and understanding, and finally on post-secularism. KEYWORDS. Pedro Eiras, Bach, music, art, resistance, (post-) secularism.
ISSN:22224297