Rubens's France: Gender and Personification in the Marie de Médicis Cycle

Recent feminist assessments of Rubens's Marie de Médicis cycle have focused primarily on the pictorial role played by the queen. This study shifts attention to the cycle's feminine personifications by examining France, a recurrent figure whose bodily presentation, including gender, changes...

Ausführliche Beschreibung

Bibliographische Detailangaben
Veröffentlicht in:The Art Bulletin. - College Art Association of America, 1919. - 85(2003), 3, Seite 490-522
1. Verfasser: Cohen, Sarah R. (VerfasserIn)
Format: Online-Aufsatz
Sprache:English
Veröffentlicht: 2003
Zugriff auf das übergeordnete Werk:The Art Bulletin
Schlagworte:Social sciences Political science Arts Behavioral sciences Business Biological sciences